here’s my little rendition of one of the most beautiful songs ever written:
revolution montage…
Thank you for the wonderful Megan Harrell for creating a beautiful video.
Ultralove // Revolution from Megan Harrell on Vimeo.
records records records…
patience is a virtue and I have been ever so virtuous, not to mention patient when it comes to aligning schedules, arranging files, pre-production (or lack thereof), and everything that happens before you actually go into the studio and press record. but lately I have doing more recording than I am used to and it feels tremendous. “gunshot” is in the can and nearly complete with my guys at RPD (RPDMusic), “hunt you down” is coming right along with blaine mcgurty and mike gunn, and tonight I’m laying down more vocals on “wasting away” with bobby bockel. my newest brother in music, phil margaziotis at EMI, and I have been working on a new summertime smasher along with my friend and mentor mr. harold lilly. I feel incredibly blessed to work with all these great guys and this means that a ton of new music is coming down the pipe, so stay tuned… I attached some pics from monday night too.
back to busking…
Ah yes. Going back to my roots. When I first began my musical journey in Los Angeles, I cut my teeth on the 3rd Promenade in Santa Monica. Since I had recently taken up guitar at the time, I figured it was the best way to work on my songs and my newly developed guitar chops. So, I saved up all my coin from working at Buca di Beppo (around the corner on 2nd St) and ordered my first amp online. The Alesis Transactive Mobile Amp (which has since been converted into a foot rest), a Nike shoebox, a hot pink “Ultralove” sign, a mic, and of course my guitar, was all that accompanied me to the Promenade and the Pier that summer.
Its been nearly three years since I last appeared on the Promenade. Only this time, I am brandishing an electric guitar, much better gear, and far more experience. Although my motivations for “busking” on the street have changed, the feeling has not. It is difficult to describe how it feels to play for people who generally aren’t there to see you. So often times you find yourself playing for yourself. Other times you’ve amassed a considerable crowd. But mostly, its a unique exercise in tone and timing; hoping that the lyrics or notes you are singing in the short time that it takes for them to pass by you, is alluring enough to have them stop for a listen and maybe even buy a CD.
It can be a competitive forum too. At least 100 other musicians, artists, and various talent descend on 3rd Street throughout the year for a sliver of space to showcase their gifts. You must learn quickly. Where is the best spot for your particular ability or trade? Who do I avoid (ie 250 watt Latino singer man, jumping over people guy, and any and all form of circus performer)? Which place has the cheapest coffee?
I encourage any musician or artist who take their art seriously to take on the Promenade for a few weeks as an exercise in humility and perseverance. I think that you will find some great insights on what it is you’ve chosen to do. It is probably one of the most eye opening experiences that I have ever had with live performance. At the very least, it is a free practice space and one of best ways to gain exposure. Oh, and remember to bundle up and charge those batteries!
oh, jessie payo, you’re so awesome
the tremendously talented jessie payo has many times blown my mind with her soaring voice and world class music when would watch her perform. and for the first time she blew my mind with her kind and encouraging words about me. words cannot describe how reading her review of my most recent solo performance made me feel. see it for yourself. you rock jessie payo.
check it out here: the NOHO Arts Blog: Ultralove



